Danièle Dennis's experiences as a Jamaican-Canadian woman inform her practice and prompt her investigation of racial and cultural issues through the use of time-based media, material exploration, and installation. She attempts to disrupt and dismantle social norms and constructs by employing repetition and process-based experimentation to the use of everyday and often abject elements. Performance situates her body as sculptural material to confront her own discomfort and tensions. Her practice remains fluid in expression and embraces absurdity.